Robin和他搭档非善类 就只偷老 弱 妇女 偷其他人对他们来说风险太大 他们也有梦想 就是买下镇上最受欢迎的妓院 为了筹钱 他就联合别人抢了小镇的税收 却遇到了森林里的义贼他们是劫富济贫的 一起骗 最终识破Robin的骗局 让其做苦力补救 后来又帮忙释放国王夺回小镇 Robin des Bois est un sale type. Lui et son compère Tuck ont une éthique très claire dans la vie
ils ne volent que les pauvres, les femmes ou les vieux. Le reste
Trop risqué. Mais même les sales types ont des rêves, et le leur est de racheter la maison close la plus courue de la ville, le Pussycat. Robin, que rien n’arrête lorsqu’il s’agit de s’enrichir, décide alors d’aller chercher l’argent là où il se trouve et projette de dévaliser la caisse des impôts de Nottingham. Mais sa rencontre avec le gang de Sherwood, des justiciers qui eux volent les riches pour donner aux pauvres, va contrarier ses plans. Petit Jean, Marianne et leurs amis ont en effet eu exactement la même idée que lui
braquer le Shérif de Nottingham. La (vraie) légende de Robin des Bois peut enfin commencer ! (allocine)
A famous french actor is poisoned and dies right in the middle of a play. Martin, an actor friend, is soon suspected by the police while being hunted by the mysterious organization which ordered the murder.
Twenty years ago at the infamous Redwood Farm, the owner went mad and killed his family and himself. Shrouded in urban legend ever since, a stranger obsessed with the unsolved Redwood murders convinces a group of bereaved family members to venture into the wilderness in the hope of proving the existence of the notorious burlap bag-masked maniac. Their quest for truth sees a sinister turn of events, as the hunters become the hunted and a blood-soaked fight for survival ensues when they find that the sinister tales told of the axe-wielding psycho farmer are very real indeed.
A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.
Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts
Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor
captain
narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.